Кстати не я один так думаю. Вот мысли одного китайского блогера. (гугл транслейтом перевел) если кратко то китайцы тоже жалуются на штампованное гавно и охуевших авторов без фантазии. И китайский блогер считает что китайцы склонны больше к логике, пока японцы имеют лучшее воображение. (это он так мягко намекает что китайцы биороботы без фантазии и быдло)

First of all, I don’t have the meaning that Japanese light novels are higher than Chinese net texts.I mean, the Japanese light novel is based on the "traditional novel" + youth operation. As a cultural product, "fiction" is its form, and "youth (youth)" is its default user. "Light novel" is a subordinate classification of the novel, and the boundaries of this classification are very vagueFor example, "Sword Art Online" "The God of the Gods", we can judge without thinking, this is a light novel, but like "Candy Bullets", "Nine Stories", "Happiness in Three Days", we can not see Said that this is just a light novel, not a popular novel.This matter, from the "Classical Series" from no illustration to illustration, from the campus mystery novels to the light novels of the sales path (adapted animation is also a thrust) can be well reflected.In other words, in any case, the light novel is always constructed in the "fiction" thinking, improving itself, even if the toilet paper is sent to the illustrator, the writing level is getting worse and worse, and the innovation ability is in the same place.
The integrity of the "fiction" is still very strong.However, the network texts can only be web-based (non-derogatory) because of the different network texts, the long-term network-based carrier system, and the immediate feedback to readers under the carrier system.The author of the light novel can get the straight wood prize without changing the form, but the net text is not.
It is not that the Japanese light novel writer is really stronger than the Chinese net writer, but the net writer is netted. The system itself is limitedThen go back to the question itself. In fact, my original answer is very clear: because the readers of these "most fantasy mysterious nets" in China want to get more powerful "I" in the works, and the most intuitive reflection The process of becoming stronger, combined with the super long serial form, is the upgrade flow.Although the high ticket answer has examined the origin of the upgrade routine, I think this practical effect is not big, because it is not important who created the upgrade routine, but why is China's online text now to use the upgrade routine as a mainstream way of writing?What other writing methods are very popular in Chinese webpages? We can easily think of it: infinite stream, regenerated stream, system stream (including but not limited to)Is the unlimited flow an upgrade routine? Of course, as the hero of the ordinary person enters an infinite "copy" and begins his own journey of survival. In the process, there are countless "enhancement" and "exchange", facing various bosses, and even pk. Obviously, the infinite stream is both an upgrade routine and what I call "portable games."Is the reborn stream an upgrade routine?
As the ordinary person, the protagonist returned to the golden age to seize the pulse of the times with the memories of the times, gradually becoming bigger and stronger from scratch, and eventually became a commercial tycoon. It is filled with countless “investments” and “acquisitions”, which is still a gamified way of writing, and the way to constantly upgrade through assets is also obvious.System flow, let alone, as the most common routine now, the protagonist gets a strange "system" that is often in his own consciousness. This system mostly cultivates his own multi-faceted "talent tree." "", so that he continues to get a variety of "skills", or "summoned beasts", and may also be "buildings" and "territory." Upgrade routines and gamification appear in the system flow.Therefore, the upgrade routine is only an important attribute of the web text.
The characteristics of most web texts are "gamification". In order to increase the sense of substitution, the protagonist is often set as an ordinary person. After a certain "start", he enters. In a sci-fi/city/fantasy/fantasy world of games, he continues to complete his main line missions, gains various props, learns various skills, and finally fights (maybe fighting, maybe in other senses, like Among the popular chef novels, "the cooking" has become the strongest "game player". It is from this kind of "gamification" that the readers have nothing to do. They have obtained the "honor", "honor" and "battle" in the extremely detailed texts written for each upgrade, every prop, and every battle.
The thrill of being often found in games.As for why, Chinese netizens need to go to the net to find such fast-food "cultivation", "honor" and so on. Why do they take the initiative and spend a lot of these "daydreaming" styles? Efforts and opportunities to achieve successful cultural products, this is not the answer to this question.By the way, one bit.
In the traditional literary theory, although the text can not decide the first, but there are good and bad points. Rather than simply relying on one's own preferences to make a "good" or "bad" comment on literature, literature itself is not a completely subjective subject.The Chinese people’s brains are more logical, and the Japanese’s brains are more biased towards images. I don’t think it’s convincing. If you feel that there are arguments to prove this, please advise.Who is who? The following is the original answerBecause the domestic fantasy fantasy webpage is "telling stories" but not "writing novels"The fantasy and fantasy web texts are qualitatively shaped into a "portable game" that can be customized by a reader with a strong sense of substitution.In China, because of social factors, such works as “traditional novels” and young people’s operations like Nikko are difficult to form.
Even the reading of novels is not necessarily a mass event, so it is more fragmented, close to readers, and reading. A network with lower barriers appears.Of course, now the fantasy zone is generally beginning to be story-oriented, which is a good trend, but as long as certain social factors still exist, the main tone of the net text will not change from the "portable custom game" mode to the "storytelling". "fiction" model

The Tiangang Swordmaster stood in void space on his own, with countless wounds on his body. The essence of his cultivation dispersed quickly and his injuries were not light.
But the most obvious difference he had now as compared to the past was that his body exuded an aura of lethargy, which was never seen before.
He seemed to turn old and desolate suddenly, just like a sharp sword radiance that had become weak suddenly.
In his hand, he still held the Saintly Celestial Sword. But the sword was only half of what it was originally.
The Saintly Celestial Sword had been broken!
The king of swords in the past had been broken by another sword!
The top half of the sword had disappeared in the Heavens and Earth, converting to nothingness and ceased to exist anymore!

After everything settled down, the Divine Lands was left in a dead silence. But very soon, the clear sound of a sword rang all around.
Sword noises could be heard from where the Heavenly Master Sword Sect was. Following that, a bright sword radiance shone from the mountains.
It was not a sword radiance that existed for real, but it flashed in someone's mind. This sword radiance became brighter and brighter.
The Heavenly Master Swordmaster, Celestial Sword Elder and other sword cultivators all drew out their swords and straightened it parallel to their chests. They congratulated in the direction of Mount Shu, "It's all thanks to Master Lin that the Saintly Celestial Sword has been destroyed."
The Heavenly Master Swordmaster howled before revealing his virtual entity. Countless principles of Great Dao infused into his body and his sword radiance penetrated through the Heavens and Earth, consolidating to form a light projection of a fruit.

In the mountains of the Lightning Sword Sect, an illusory sword radiance and sword mind thrived too. The Lightning Swordmaster and Ben Leizi also straightened their swords parallel to their chests and spoke in the direction of Mount Shu.
"It's all thanks to Master Lin that the Saintly Celestial Sword has been destroyed."

The Supreme Radiance Swordmaster appeared outside of his own sect mountain. The Sun Radiance Swordmaster, Starry Swordmaster and Great Barren Swordmaster also did the same action, as they straightened their swords parallel to their chest.
"It's all thanks to Master Lin that the Saintly Celestial Sword has been destroyed."

Even the Azure Pulse Swordmaster and Tidal Sword Elder from the Vast Sea Sword Sect displayed complex expressions on their faces. They all did the same thing as what the others did.
"It's all thanks to Master Lin that the Saintly Celestial Sword has been destroyed."

On Mount Yujing, beside Wang Lin, the Heavenly Gods-Sealing Banner swayed in the wind. The banner revealed the light projections of two Immortal Soul Stage cultivators. One of them was the Vast Sea Swordmaster and the other was the Intense Flaming Swordmaster.
The both of them sighed at the same time, "It's all thanks to Master Lin that the Saintly Celestial Sword has been destroyed."

Тупо эпич, аж муражки по коже, эпичность зашкаливает. А начиналось как комедия...