Black Wings Of Death III
https://vk.com/blackwingsofdeathlll

22 апреля в 18:00 — 22 апреля в 22:55, Архангельск, Россия
SICK FEST BOOKING
http://vk.com/sickfestbooking
presents:

Black Wings Of Death III

22 Апреля 2017
Клуб КОЛЕСО (ул. Гайдара 4/1)
http://www.arkoleso.ru

Гимны Тьме и Смерти, Во Славу Величия Его.

PESTILENTIA (Минск, Беларусь)
Black Metal
Впервые в этой части страны с единственным выступлением. "Where The Light Dies" - крайний опус группы взывает к вниканию и внушает гордость за альбом.

VETER DAEMONAZ (Санкт-Петербург)
Black Metal
Впервые в этой части страны с единственным выступлением. Изумительный EP "ТРИVМФ" - есть причина и следствие.

FUNERAL RITES (Москва)
Black Metal
Новая банда из столицы, несущая чернейшее знамя экстремального метала. В своём творчестве сочетает скорость и мелодичность Dissection и мрачность Mgła.

Билеты: предпродажа билетов по 600 руб. На входе - 750 руб. Точка предпродажи - клуб "Колесо" (ул. Гайдара 4/1). Дата начала предпродажи - позже.
http://vk.com/sickfestbooking

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>>1399056
АХАХАХААХ
Люцифера Свет – источник тайн внутри
Меня сжирает пустота несуществующей Зари
Космоса Черного Сон
Над Храмом Мечты в коллонаде огней
Шрамами-рунами млечных путей
Волка-Изгнанника Трон
Сила и Слава, Совесть и Смерть
Свет стальных Молний –
Голос Фау-ракет
Боль Поражения, нет
Ветер космических пустошей
Вдаль меня мчит сквозь границы сознания
Потустороннего ужаса Прошлого Вестники
Мертвыми песнями
Сверхпостигающая чернота – изумрудная нить
Сквозь сознанье слепое
Сверхужасающая пустота – я
Черный Пустой Свет – Факел в сердца мгле
На спицах звёздной колесницы водоворот крови
Люцифера Свет – источник тайн внутри
Меня сжирает пустота несуществующей Зари
Лезвием комет – по молниям моей судьбы
Изрезаны глазницы Космоса – пусты и ледяны
Ключ отворит запреты, и бьёт искристый Свет!
Мой Храм Недосягаемой Мечты – в огне стальных ракет
Начертание меня ослепит
мне слепит кровью взор мне в сердце льёт искристый Свет…
Он дарит изумруд души , нить , колыбель, мой храм в огне ракет..

ПЕРЕСОСАЛИ СПЕРМЫ КОСМИЧЕСКОГО КОЗЛА

>>1400991
Да простит меня Маэстро, ибо сие делается с великим уважением к нему и без претензии на воровство, а ради фанатского искреннего интереса

A Vermapyre CBG As a Tribute To Vordb

In July 2014, I received what is probably the most original tribute I have ever received in my existence as Vordb: a member of Kaleidarkness, Vermapyre, sent me a guitar that he had entirely crafted with his own hands! I knew he was connected to a website (www.negromancy.com) and many bands/projects involved in music played with home-made instruments (a topic which I was of course very sensitive to, being myself the father of audio Projects such as Brenoritvrezorkre, and using, for example, home-made drums since the 1980's) and sometimes influenced by the Black Legions Circle's works. I had noticed those strange guitars build out of cigar boxes, and listened to a few chaotic projects releases on Negromancy, such as Nékrhärkh or Vermapyre (which is also the name of a project), using that kind of guitars with terrific results! Seing my interest, Vermapyre proposed to build such a guitar for me, as" a token of his respect for my work and for inspiring him". A few weeks ago, I received the final result, a brand new CBG (Cigar Box Guitar), with three strings as I had asked. I was immediately seduced by the very crude but efficient craftsmanship (see pictures below), expecially the open back allowing to see the inner workings, and amazed at how easy it is to play this instrument. When I opened the parcel, the tuning was, by accident (C#/E/A# — in bass clef)), which made a weird three-note chord; I decided to keep it and began to play and experiment.The clear sound is great (listen to example 1 which is a try with three guitars). The saturated sound is killer too, and see how it blends easily with other instruments (example 2, with two guitars, bass and drums). These examples are only trys recorded in a few minutes, with very little effects, just to see some of the possibilities of the instrument… I'd say the two "negative" points are the difficulty of playing solos (due to the fretless neck) and to hold the guitar steady (due to the shape of the body and its smalless). Maybe also, sometimes, the lack of a volume knob… But one easily forgets them!
I must say that I am both touched and honoured by this tribute and that it will certainly be the basis of a future audio Project!

http://rgho.st/8kzZ8c2NL
http://rgho.st/8BkRckllb

Do you like tributes ?

Well, it all depends on what you call a "tribute" : if it is using my logos, symbols, drawings, recordings, without any knowledge of their meaning and authorization and exposing them on whatever blogs or websites full or stupid rumours and wrong informations, or making bootlegs and selling them to cash in on what is mine, I do not call that a "tribute" at all, I just call that illegal miserable shit, and I totally hate it ! Now I have heard about things that would maybe deserve better the name of "tribute", some sort of compilations, mainly around Moévöt, but I have never listened to them, so I cannot tell you if they are" tributes" the way I view a tribute, and if I like them or not. But I can quote you an example of what I consider a real and good tribute : it is a guy who made a transcription of my piece Éhèpr abgzvoryaèrv— Chant d'Éternité II from the Moévöt démo Abgzvoryathre (I do not know the person who recorded this tribute and just linked the title of my song to his video to express my gratitude to him; however, if he wants me to remove this link, he is free to contact me, and I will of course do it without any discussion). Here is what I call a real tribute : he did not use anything that wasn't his in any illegal way, he did not invent and spread any wrong information or any rumour, did not sell anything that was not his. Instead he just expressed that he liked Moévöt and did it simply and respectfully, with his own ability and with this organ transcription, which by the way is pretty accurate (he sure has a good ear as he even grasped the grace notes I do when I sing), and played it on his organ in a dark atmosphere with candles, and that is it ! This is what I call respect, and this is what I call a real and good tribute, that for once, has nothing to do with plundering me (It is a proof that people can be clever, but how many of them do really want it ?) !

The same goes to the band Arkha Sva, who are among the very few people who always showed deep respect for me, always asking for permission for using whatever thing that was mine.
These few but honourable people, who are the living proof that not everything is about dishonesty, stupidity, cowardice and imposture, and that intelligence is simply at the level of those who want it, are the kind of people Kaleidarkness is dedicated to…

>>1400995
Vordb Layers

In the Black Plague zine, you used the name « Avaëthre » to answer the Bèlkètre interview. How is Avaëthre related to Vordb ? Obviously, both are the same, but why did you decide to use a different name ?
On the early Bèlkètre promo pics & lineup you called yourself Avaëthre. Can you tell whether this is another face of the Vordb Entity or a separate entity altogether ?

The Avaëthre name wasn’t used that much, officially only on the first demo of Bèlkètre I think, and as you said in the Black Plague zine. It was used momentarily only for Bèlkètre, as far as I remember. It was put back as Vordb on the March To The Black Holocaust split CD, but I had stopped using it long before that, so Avaëthre’s "career" was very short to say the least. In fact, when Bèlkètre began to release its first official works, I realized that my artistic world was becoming more and more complex, and that there were two main streams, one being non Metal, with audio Projects such as Moévöt, and another one with Metal audio Projects such as Bèlkètre. So I thought that maybe it would help to have a different name for each of these two aspects of my work. Looking back, I think this was useless, and I simply wasn’t fully conscious, at that time, that there was no need of such a "separation". I soon discovered that there was in fact only one stream, that of Darkness, that of the Vordb Entity, and that the different aspects of what was coming from me, be it about the kind of sound or anything else, were only different colors of the same Darkness. So I felt the uselessness of the Avaëthre name and got rid of it. It is just a minor detail of history for me, so Avaëthre is certainly not another Entity tied to a personality which is already complex enough like that…

*
How can you continue to exist as Vordb without the Black Legions ?

If you haven't done it yet, I strongly suggest you read Vordb's biography in the Biography of The Entity rubric : Vordb was born as an Entity in autumn 1991, and the Black Legions were born in summer 1993, so it means Vordb had already existed for almost two years before the Black Legions Circle's birth. Moreover, Vordb had already done many important things, both spiritually and artistically in that pre Black Legions Circle era (like creating Moëvöt and Bèlkètre, his two main audio Projects), which does in no way mean that I deny the fact most of Vordb's work was done during the Black Legions Circle existence (for the good — and logical — reason it was the longest !) Nevertheless, the truth is that if I have existed as Vordb before the Black Legions Circle, I do not see any valid reason why I could not exist as such after it. To me, the real interesting question would rather be to know: will the Entity Vordb spawn new audio Projects in the future ? This only time will tell, and as Vordb, I will accept whatever happens next regarding that matter…

Biography of The Entity

лого, надеюсь, в хронологическом порядке

Foreword :

Writing this biography was something very difficult for me, something I thought I would never have to do… At the time of the events that are depicted here, my life was pure Chaos, and Chaos is not something which can easily be summed up to words, whatever they are … All that is told in this biography happened "long ago", and as an old soul (what I feel I am), my perception of human time has always been very special, years being felt as centuries ! Moreover, nobody’s memory is perfect, so as I reactivate my memory, I might find again and add things which I think need to be told, and perhaps correct slight inaccuracies, which brings me to my first very important point : this is in no way a definitive biography (anyway do such things exist ?); but the most important events are there.
Writing this biography was also the ultimate proof (if needed…) that all the people who try to tell my life on the internet are wrong, wasting their time and deceiving the people who read them, because if such an exercise is so difficult for me, only being to live my own life, how could it be only possible for them, who are totally alien to my life ? This brings me to my second very important point : I am the only person who is in a position to write this biography !
Also do keep in mind that all that is written in this biography is only the part that I have agreed to express "publicly" (the word "publicly" having a particular meaning for me, very different, and much more restrictive than that of most people): it does not mean at all that someone who will read this will know everything about Vordb ; this is only what I would call a reasonnable amount of information so that those who are sincerely and cleverly interested in Vordb do not remain ignorant people fed by the inacurracies and the lies that have been propagating on the internet for far too long. But of course, the biggest part of Vordb's truth, that which is not (and will probably never be) expressed here, will remain hidden, in Darkness… underground…
Third and last very important point : the only place for a biography of Vordb is not on internet blogs or whatever collection of stupid rumours made by would be "private detectives" or "copy/paste people" who know nothing about this Entity, but here and only here, on the official website of Vordb…

I. First Layer : Creative Solitude
Entity's Name : Vordb Báthor Ecsed
Period : Autumn 1991—Summer 1994

Vordb Báthor Ecsed logo. I never used it.

"The Entity Vordb was born during one night of autum 1991, in what was to me a place of indescribable grief and mourning… I truly felt it descend from Darkness and enter within me, naturally, logically, just as a certainty appears within any man at a particular time in his life, and without fear… I instantly understood that its aim was to help me vomit the ocean of pain trapped within my body and soul that was slowly killing me, and express a disgust of humanity that could not stay within me any longer : some sort of physical and spiritual drain without which this infection would have got the better of me…"

This was a birth, but it is obvious that the “fœtus of Vordb” had already been existing for years, preparing itself in the obscurity of a declining life, from the mid 1980's, through many audio Projects, mainly in the Metal style (but not only !); but it wasn’t ready to fully express itself as a proper entity before autum 1991. In autumn 1991, the Dark Journey that had begun so many years ago, in the twilight of the 1970’s, wrapping a child in a shroud that was too big for him, took a completely new dimension, as Vordb, in his first layer (Vordb Báthor Ecsed), began to work on what was to be his legendary first audio Project, first simply named Vordb Báthor Ecsed, soon becoming Moëvöt. Curiously, Möevöt was not a Metal audio Project, but was incomparably darker than any Metal Project that the man behind Vordb had released previously, the manifestation of a genuine dark Entity that would deliver him from spiritual enslavement and help him glorify wandering through desolate landscapes.
It took Vordb almost two years of work, sound research, and many attempts before he could at least record, in summer 1993, the first official demo of Moëvöt, Abgzvoryathre, in the most limited technical conditions (not even a multi-track recorder !). This demo was to put a stamp on its time and far beyond it, and, what is the most surprising, even and especially among extreme Metal maniacs ! Abgzvoryathre also had the particularity of containing lyrics sung in French — which was extremely rare in extreme music at that time —, in Vordb’s own invented language, Gloatre, and of being the first audio Project to release a demo after the birth of The Black Legions Circle (in summer 1993 too), some kind of “father audio Project”, which involuntarily gave birth to many other audio Projects in this Circle, and so considerably contributed to its unique artistic richness.
At the same time, Vordb was also actively working on the first release of his Black Metal audio Project Bèlkètre, a song named Twilight Of The Black Holocaust (which philosophic purpose ran parallel with that of Abgzvoryathre), with two session musicians, one of which was later to become Këëtrëh. Born at the beginning of the year 1993, Bèlkètre was another of Vordb's audio Projects that was to become legendary.
At the beginning of the year 1994, Bèlkètre's second song The Dark Promise, was recorded with a multi(four)-tracks recorder, allowing Vordb to use a better music material for the first time in his life, and Këëtrëh turned from the session musician he had been so far to a proper member of this audio Project, uniting his blackness to Vordb’s for the worst…
In Spring 1994, Vordb decided to release a compilation that would sum up the main aspects of his work with his audio Project Moëvöt almost from its beginning back in autumn 1991 to that date. It was a difficult work, which result, the demo Ézlèfbdrèthtr vèpréub zuèrkl Mazagvatre Èrbsèdréa, was even more alien to the Metal style than the Abgzvoryathre demo, but once again, Vordb was amazed by the reactions of people towards that unique work !
At the beginning of summer 1994, Vordb began to work on a new audio Project first named Black Murder (and which was different from the audio Project of Vorlok, also named Black Murder, that would come later), that was supposed to be shared with Mütiilation's drummer of that time, Krissagrazabeth (but was never, because he left The Black Legions Circle and was fired from Mütiilation). Using only synthesizer, guitar and effects, and once more non Metal, this audio Project, which was later renamed Bor.e, was the most horrible audio Project of Vordb of that time and maybe even the most horrible of his audio Projects so far. A new stage had been reached in the expression of audio Darkness : everything was ready for the second Layer of Vordb…

II. Second Layer
Entity's Name : Vordb Dréagvor Uèzréèvb
A. Kaleidarkness
Period : Summer 1994—1998

>>1402841
В сырых могилах Второй мировой
Солдатам снятся цветные сны.
Их кости порой видны под первой травой,
Когда сойдёт снег в начале весны.
Славяне тоже сражались в отрядах СС
За чистоту арийской крови.
Теперь они дремлют за чертою небес,
Но снова встанут на бой, лишь позови.

Герои Р.О.А, спите спокойно!
Ничто не забыто, навечно вы в наших сердцах!
Герои Р.О.А - это братские воины.
Сколько крови пролито? мы скорбим о погибших бойцах.
Герои Р.О.А, белые братья,
Теперь мы все вместе в битве с массонской чумой.
Герои Р.О.А, готов воевать я
Ради крови и чести и с победой вернуться домой.

Смерть шагает по русской земле,
Мать-европа во власти жида.
Падонки пируют в нашем древнем Кремле,
За бедою приходит беда.
Но мы устоим, как стояли всегда
И флаг империи будет гордо парить.
Нас никому не сломить никогда,
Не уничтожить, не покорить.

Герои Р.О.А, спите спокойно!
Ничто не забыто, навечно вы в наших сердцах!
Герои Р.О.А - это братские воины.
Сколько крови пролито? мы скорбим о погибших бойцах.
Герои Р.О.А, белые братья,

Теперь мы все вместе в решающей битве с массонской чумой.
Герои Р.О.А, готов воевать я
Ради крови и чести, чтобы с победой вернуться домой.

Красный террор с еврейским лицом
Тогда в 45-ом обратил пламя в дым
Теперь опять оцепили железным кольцом
Нет времени быть молодым
Кровь павших воинов взывает на месть
И дух борьбы жив ещё в уже мёртвых телах
Зло наступает, слышны грозные вести
Но храбрым витязям света не видан страх

Герои Р.О.А, спите спокойно!
Ничто не забыто, навечно вы в наших сердцах!
Герои Р.О.А - это братские воины.
Сколько крови пролито? мы скорбим о погибших бойцах.
Герои Р.О.А, белые братья,
Теперь мы все вместе в битве с зионской чумой.
Герои Р.О.А, готов воевать я
Ради крови и чести и с победой вернуться домой.

Герои Р.О.А

Герои Р.О.А

Герои Р.О.А

Герои Р.О.А, готов воевать я
Ради крови и чести, чтобы с победой вернуться домой.