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Литературы по ЗВ без опостылевших роялей из 61127 В конец треда | Веб
Литературы по ЗВ без опостылевших роялей из кустов и неестественных хеппи-эндов тред гоу. Надоело уже читать говно в духе давн оф зе джедай и зе олд репаблик.

Дайте мрачнухи.
Дайте реализма.
Дайте хепи эндов но естественных, логичных, без роялей из кустов.
2 61130
I enjoyed Rogue One much more than TFA. I rolled my eyes probably every fifteen minutes in TFA. Snoke, Kylo, Finn and the storm trooper light saber gun were just all so cheesy. Like their main target audience was kids.

The tone of Rogue One was more serious and it made it so much better for me. I was actually interested in the plot and it seemed to have a purpose. I thought they tied it in perfectly with New Hope.

In my opinion it was ten times better than TFA.
3 61131
Most people focus on the fact, that there was not enough "backstory" for characters to like them and make their deaths meaningful or impactful and the movie was just non-stop action and really did not bring anything "new" to table..

But here is the thing:The whole Rogue One band was fellowship of unlikely "heroes" that got together to do one job, that in the end everyone in the audience knew will mean their life. So why spend screen time on backstories for them or to reinvent the wheel, to make their deaths more impactful and fit the SW formula, when instead you can spend more time to revel in their deaths and make the deaths equally impactful, and also make their deaths impactful because of their current heroic actions, instead of them being motivated by some long time past grudge.

How much of a backstory did characters of Saving Private Ryan get, anyways?

But nor to digress, to point two: this is no happy ending light over dark Star Wars story with heroes that will save the day with their perfect smiles or live to fight another day, because it is their destiny, so they can smile their perfect smiles. This is simply movie about the less glorified, knee deep in blood struggles of the rebellion against the Empire ruthless oppression. It is set 19 years after Ep3, so nobody probably even remembers Jedi and The Republic, because most of those that do are either dead, or so underground, that they cannot tell people about the Jedi anyways. So what hope people that are against the rule of the Empire have? To fight and sacrifice everything, because no one else will do it or just accept the state the galaxy is in now. Even the Rebels were not so sure at that point, which path to choose. And that is what Rogue One was about in the end.

And the final scene, when Darth Vader just mercilessly and effortlessly butchered the whole ship was the final taunt from Edwards towards people that went to see "happy" SW movie, where heroes save the day. That scene felt so out of place and raw, yet so in tone with the whole movie.
3 61131
Most people focus on the fact, that there was not enough "backstory" for characters to like them and make their deaths meaningful or impactful and the movie was just non-stop action and really did not bring anything "new" to table..

But here is the thing:The whole Rogue One band was fellowship of unlikely "heroes" that got together to do one job, that in the end everyone in the audience knew will mean their life. So why spend screen time on backstories for them or to reinvent the wheel, to make their deaths more impactful and fit the SW formula, when instead you can spend more time to revel in their deaths and make the deaths equally impactful, and also make their deaths impactful because of their current heroic actions, instead of them being motivated by some long time past grudge.

How much of a backstory did characters of Saving Private Ryan get, anyways?

But nor to digress, to point two: this is no happy ending light over dark Star Wars story with heroes that will save the day with their perfect smiles or live to fight another day, because it is their destiny, so they can smile their perfect smiles. This is simply movie about the less glorified, knee deep in blood struggles of the rebellion against the Empire ruthless oppression. It is set 19 years after Ep3, so nobody probably even remembers Jedi and The Republic, because most of those that do are either dead, or so underground, that they cannot tell people about the Jedi anyways. So what hope people that are against the rule of the Empire have? To fight and sacrifice everything, because no one else will do it or just accept the state the galaxy is in now. Even the Rebels were not so sure at that point, which path to choose. And that is what Rogue One was about in the end.

And the final scene, when Darth Vader just mercilessly and effortlessly butchered the whole ship was the final taunt from Edwards towards people that went to see "happy" SW movie, where heroes save the day. That scene felt so out of place and raw, yet so in tone with the whole movie.
4 61139
>>1130
>>1131
Это что, тред фаната Роуг Вана?
Screenshot2017-08-21-01-32-00.jpeg403 Кб, 1024x600
5 61294
Ииии... Чего молчим??
6 61347
>>1294
А кому интересно?
7 62322
Бамп, малолетние уебища.
8 62334
>>2322
Никому это не интересно
9 62335
>>2334
Пошел нахуй, тупой 12-летний пидорас.
10 62342
>>2335
Ну тогда ты совсем один тут будешь
11 62931
>>1127 (OP)
Ты где хэппи-энд нашел в Dawn of the Jedi?
ПО сабжу - любая литература про "плохих" персонажей - Таркин, Плэгас, даже попсовый Бэйн

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