Так хорошо говорит он про все это, очень тупо, что персонажа в итоге выпиливают, потенциала то явно больше, чем на одну серию комиксов.
И да, Рены - чувствительные к Силе, быдланы, байкеры и пираты.

In The Rise of Kylo Ren, Soule has written in emotional beats by folding in quiet moments, omitting dialogue from panels to firmly place the focus on the internal struggle within Ben and allow Sliney’s art to sing. “In this book, we’re leaning towards the mask,” Sliney says. “In one of the very early moments…we kind see the two sides of Ben where you can see him emotionally hurt and then he starts to put up this shield, this outer shield. Within the course of two panels, you want to show in one instance this is a frightened boy and in the second instance he has the potential to be this really, really dark person. It’s something that has to be subtly done.”

“There’s lots of moments where you can see him thinking and waiting before he reacts,” Soule adds. “He’s a very internal person…except when he’s not, right? He’s completely under control and completely compartmentalized until sometimes all those walls break at once and he does things like smashing his helmet or slicing up a computer console with his lightsaber.”

Sliney studied Adam Driver’s portrayal of the character to quantify exactly how the character betrays his emotion in those quieter moments — sometimes with little more than the twitch of his mouth. “I’ve never seen an actor or character that gives away so much with kind of the quiver of a lip, which is something that I’m trying to get across as much as I can in the panels,” Sliney adds, which can be a challenge. “He has this almost childish pout of his bottom lip that gives away emotion, so I’m trying to bring that in there ever so slightly at different times, which is difficult to do when it’s a still image.”

An integral part of Ben Solo’s journey involves the Knights of Ren, a mysterious helmeted posse we’ve only just glimpsed in The Force Awakens, but will meet again in the upcoming film Star Wars: The Rise of Skywalker.

But first: “You’ll learn an awful lot about the Knights of Ren very, very fast in this book,” Sliney teases.

“I think when that first page shows up in previews it’s going to land so hard,” adds Soule.

Soule was inspired by motorcycle gangs, classic Westerns, and Samurai tales as he dramatized some of the lore behind the masked marauders. “They can all use the Force, the dark side of the Force, to varying degrees,” he reveals. “They’re not as powerful as a Jedi or a Sith, but they use it when they fight…. They have some sort of a code, like a motorcycle gang, but it’s not elaborate. They’re flexible.” Like all good galactic thugs and scoundrels, they’re in it for themselves. “Mostly they’re just kind of out to live their lives the way they want to live them and take what the galaxy will give them and eat what the dark side sends,” Soule says.

The story also introduces a trio of Ben’s classmates, survivors of the Jedi temple destruction by virtue of being off-world on a mission at the time of its collapse. In the first issue, surveying the aftermath and Ben Solo standing among the wreckage, one of these students asks, “Should we call his mother?”

The answer is no. Soule says as much as he enjoys writing the character of Leia, he used her sparingly in this story. “I would like her to be in the book more than she is because I think Will draws a beautiful Leia Organa,” he says. “But ultimately this story is about Ben Solo…. I think because of what the journey is, he has to go through it by himself. And we’ve seen how attached he is to his mother in the films. If Leia was too much of a presence in it, I think his journey might not have gone the same way. And I think if you look at the larger architecture of the Star Wars galaxy around this time, I think there are a lot of things happening that are being specifically engineered to keep Leia away from Ben. Read into that what you will. Just as there is a long game being played with Anakin, I think there is a long game being played with Ben Solo as well.”

And of course, the story will include Snoke, Kylo Ren’s dark side master, although not like you’ve ever seen him before. “There’s an awesome moment towards the end of issue one where he first meets Snoke and…Snoke is very different in this book,” Soule says. “And the way he acts toward Ben and the way that Ben is with him is very different than he is in Force Awakens and The Last Jedi, which is on purpose.”

“You want it to feel like the really big mythological moments feel from Star Wars whether it’s the Mustafar battle between Anakin and Obi-Wan or the throne room battle at the end of Jedi,” Soule says. “These are the moments where the fate of the Force, the fate of the galaxy, and the balance of the Force, all these things are on the scales being weighed. And this book, if we do it right, should be building and building and building to a moment where Ben makes a choice and you understand why he does it and you realize he had no choice, even though he thinks he’s making one. That’s what the story’s supposed to be. That’s what happened to Anakin. If we do our job right, it will feel utterly inevitable and also utterly preventable, which is the tragedy of the whole story.”